Limitless—
not because the world has no edges,
but because he meets them
as though they were invitations.
but because he meets them
as though they were invitations.
He seems to arrive in life
already leaning toward the next wonder,
already halfway into the adventure
before others have finished naming it.
already leaning toward the next wonder,
already halfway into the adventure
before others have finished naming it.
There is in him that rare and beautiful excess of spirit
that does not ask first whether something can be done,
but whether it might be worth trying.
that does not ask first whether something can be done,
but whether it might be worth trying.
He was named for a rider of legend,
and something in him took the lesson early:
lean in,
hold on,
laugh at the dust,
and go.
and something in him took the lesson early:
lean in,
hold on,
laugh at the dust,
and go.
Animated—
bright with motion,
alive in voice and gesture,
a boy who does not merely pass through a day
but fills it.
alive in voice and gesture,
a boy who does not merely pass through a day
but fills it.
He sings because the world is there.
He invents because joy arrives faster than instruction.
He invents because joy arrives faster than instruction.
A porcupine song made with his father,
then sung mile after mile,
again and again,
as though delight itself were worthy of repetition.
then sung mile after mile,
again and again,
as though delight itself were worthy of repetition.
And it is.
Some souls move like careful handwriting.
He arrives like music.
He arrives like music.
Young-hearted—
and not only because he is young,
but because his spirit keeps the door wide open.
but because his spirit keeps the door wide open.
The gappy grin,
that long season of the toothless beaver smile,
the kindness that rises naturally,
the ready laugh,
the ease with which wonder finds him—
these are not small things.
that long season of the toothless beaver smile,
the kindness that rises naturally,
the ready laugh,
the ease with which wonder finds him—
these are not small things.
There are people who spend their whole lives
trying to recover what he carries freely now:
that unguarded gladness,
that clean astonishment,
that way of meeting the world
before cynicism has had its say.
trying to recover what he carries freely now:
that unguarded gladness,
that clean astonishment,
that way of meeting the world
before cynicism has had its say.
Neverending—
in curiosity,
in motion,
in appetite for the next thing to learn,
touch, climb, catch, question, name.
in motion,
in appetite for the next thing to learn,
touch, climb, catch, question, name.
He is the kind of child
for whom one world is never enough.
for whom one world is never enough.
Fishing vessels, captain’s quarters,
seals along the coast,
snakes in the hand,
wild fowl in strange places,
rocket fire on the Space Coast,
crab traps rising from the water
under the pull of his own effort—
he does not stand at the edge of life
as a spectator.
seals along the coast,
snakes in the hand,
wild fowl in strange places,
rocket fire on the Space Coast,
crab traps rising from the water
under the pull of his own effort—
he does not stand at the edge of life
as a spectator.
He enters.
Again and again.
Again and again.
The fearless one,
not because danger is unreal to him,
but because wonder keeps outrunning hesitation.
not because danger is unreal to him,
but because wonder keeps outrunning hesitation.
Expressive—
full-hearted in the old, true way.
What he feels moves outward.
What he imagines takes shape.
What he loves becomes song,
becomes story,
becomes movement,
becomes the whole body saying yes.
What he imagines takes shape.
What he loves becomes song,
becomes story,
becomes movement,
becomes the whole body saying yes.
He is flexible in limb, yes,
but also in spirit—
willing, curious, game for nearly anything.
but also in spirit—
willing, curious, game for nearly anything.
He bends toward experience.
He opens toward life.
He opens toward life.
And because he is so vividly himself,
the world around him seems to wake up in reply.
the world around him seems to wake up in reply.
Layne Austin Strough.
Laustin-Time.
Laustin-Time.
A name with laughter in it,
a nickname already carrying legend.
a nickname already carrying legend.
He was named for Layne Frost,
and there is something of that fearless leaning in him—
not the recklessness of one who does not care,
but the bright courage of one
whose blood already knows motion.
and there is something of that fearless leaning in him—
not the recklessness of one who does not care,
but the bright courage of one
whose blood already knows motion.
The ocean is in him.
You can feel it.
You can feel it.
In the way he loves to fish,
the way he belongs near water,
the way adventure seems less like an event
than a native language.
the way he belongs near water,
the way adventure seems less like an event
than a native language.
Just tall enough, at last,
for the great coasters this Christmas—
and through that gate he went.
for the great coasters this Christmas—
and through that gate he went.
Dungeness crab fishing,
hauling traps like a real fisherman.
Sleeping in the captain’s quarters
as though it were the most natural thing in the world.
Playing with seals on the coast.
Watching rockets rise.
Catching snakes.
Going mile after mile
with a song in his mouth.
hauling traps like a real fisherman.
Sleeping in the captain’s quarters
as though it were the most natural thing in the world.
Playing with seals on the coast.
Watching rockets rise.
Catching snakes.
Going mile after mile
with a song in his mouth.
This is not smallness.
This is not background life.
This is a soul arriving vividly.
This is not background life.
This is a soul arriving vividly.
And yet, beneath the joy,
there is kindness—
the kind-hearted core,
the sweetness that keeps fearlessness from turning wild in the wrong direction.
there is kindness—
the kind-hearted core,
the sweetness that keeps fearlessness from turning wild in the wrong direction.
That matters.
Because joy without kindness can become chaos.
But joy with kindness becomes light.
But joy with kindness becomes light.
So let it be said plainly:
Layne Austin Strough
was not made to live timidly.
was not made to live timidly.
He was made to enter the world
with open hands,
quick laughter,
and a brave and curious heart.
with open hands,
quick laughter,
and a brave and curious heart.
To explore without apology.
To sing as he goes.
To keep some holy piece of gladness
even as he grows older and stronger.
To remain alive to surprise.
To carry wonder forward
instead of outgrowing it.
To sing as he goes.
To keep some holy piece of gladness
even as he grows older and stronger.
To remain alive to surprise.
To carry wonder forward
instead of outgrowing it.
That is no small inheritance.
That is its own kind of greatness.
That is its own kind of greatness.
And if one were to speak his name
not merely as record,
but as blessing,
it might sound like this:
not merely as record,
but as blessing,
it might sound like this:
LAYNE
Limitless in spirit.
Animated with joy.
Young-hearted in wonder.
Neverending in curiosity.
Expressive in the full language of his soul.
Animated with joy.
Young-hearted in wonder.
Neverending in curiosity.
Expressive in the full language of his soul.
Laustin-Time.
The fearless one.
The boy with the song.
The one who enters laughing.
The fearless one.
The boy with the song.
The one who enters laughing.
— Shane Thomas Strough
Palmarcito, El Salvador
Day 43 — 5am